《非线性影片和视频剪辑软件》Avid Media Composer/Symphony 6.5

这是两个软件，一个是Avid Media Composer 6.5，一个是Avid Media Symphony 6.5。

Avid提供一系列专为后期制作专业人员而设计的不同配置的产品，可以为他们提供更高的创造性能，充分满足他们的项目制作需求。无论是选用Media Composer单独的软件产品，还是配备了功能强大的 Avid DNA®；硬件设备的完整系统，都会得出一个相同的结论：Media Composer简直就是全球最佳的编辑器。


  

非线性编辑Avid Media Composer
　　自从Media Composer问世到现在，Media Composer系统已经成为非线性影片和视频编辑的标准。没有任何编辑系统可以与其相媲美，具备如此强大的性能、多功能特性和完美的Media Composer工具集。
　　今天，Media Composer编辑系统比以往更深受全球大多数创新影片和视频专业人士、独立艺术家、新媒体开拓者和后期制作工作室的喜爱，已经成为他们的首选编辑系统。没有任何系统可以像Media Composer这样，提供完整的创造性工具集、灵活的格式支持和精确的媒体管理性能。从无磁带工作流程到无缝式统一，从HD多镜头素材摄录到HD日常媒体数据，Media Composer系统始终都冲锋于业界最为复杂的制作项目的前沿。
　　现在，无论是选用Media Composer单独的软件产品，还是配备了Avid Digital Nonlinear AcceleratorTM（Avid DNA）硬件设备的完整系统，对于创造性专业人士的所有制作项目来说，都具备非常重要的意义。扩展后的Media Composer系列产品，通过组合式解决方案，为后期制作工作室提供无可匹敌的灵活性能，可以自由混合Mac和Windows版本，并可以通过与 Avid SymphonyTM后期制作系统的整合，提供HD支持、实时多镜头编辑和Total Conform功能。
　　无论您使用哪种配置，您都会得出一个相同的结论：只有您所选择的Media Composer，才称得上是全球最佳编辑器。

Avid Media Symphony 视频编辑和母带制作软件，其功能、工具和工作流程与 Media Composer 相同 - 而且它还具有先进的及辅助的色彩修正、Boris Continuum Complete 和通用母带制作工具。 Symphony 是以纯软件解决方案或作为两个硬件套装的一部分提供，带给您一整套编辑及高级工具，提升您的能力，助您获得您渴望的工作。Symphony 6.5 新增功能
查看所有功能




Avid 媒体创作创建 AS-02 和其他卷用于归档，并用 AMA 将序列写入到原始源媒体。




AFD 支持通过有效格式描述设置来建立预定的查看体验。




领先的重新连接支持利用常见的元数据字段，将片段重新连接到原始媒体或新媒体。







I/O 硬件发布可切换到仅软件模式而无需断开硬件，且只需点击一下即可共享 Avid 开放 I/O 硬件和其他软件。




先进的音频关键帧跨越片段快速编辑并辅之音频关键帧，只需轻松拷贝及复制。




64 语音音频支持更加灵活轻松地监听更多音频轨道
Avid has announced updates to its Media Composer and Symphony line of professional video editing and finishing software. Editors familiar with Avid will notice updates to Avid Media Authoring, allowing them to natively author to the JPEG 2000 codec, as well as package sequences that supports version tracking. Even though Symphony is a fine color correction tool in its own right, Avid is giving some love to DaVinci Resolve graders by improving the the way they link and re-link files. Jumping back and forth between Avid Media Composer and third party finishing applications will hopefully be easier than ever. Finally, what might be most exciting to non-Avid editors who are thinking about jumping into Avid is an improved set of timeline controls. For example, one big point of frustration for editors coming from Final Cut Pro, Premiere, or Vegas has been Avid’s lack of drag-and-drop editing. In the past, adding clips to the timeline has required a keystroke or button press, making the interface feel alien to editors unfamiliar with Avid’s workflow. It’s clear Avid recgonizes this and has added drag-and-drop functionality, along with other tools, to ease that transition.

About Avid

From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listened to, most watched and most loved media in the world. The shows, commercials, and news programs you watch on TV. The entertaining video and film stories you see on the web and on the big screen. The personal audio and video treasures that people make at home to preserve their favorite moments in life.

Our innovative digital audio and video solutions continue to revolutionize the art of creative storytelling, and have earned us hundreds of awards, including 2 Oscar statuettes, a Grammy, and 14 Emmys.

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